Spanish tercios flags of 30 Years War in Italy

 Hello guys,

This summer I am reading a fantastic book about Thirty Years War in northern Italy: 

"Milán a sangre y fuego" the campaigns of Marquis de Leganés in 1635-1640 in north Italy.

https://www.sndeditores.com/libro/milan-a-sangre-y-fuego_193675/

this is the abstract of the book, tanslated into English :

The military history of the Spanish Army that served in the Duchy of Milan remains one of the great overlooked chapters of Spanish history, perhaps overshadowed by the better-known Army of Flanders, though it was no less remarkable. The campaigns described in this volume brought both General the Marquis of Leganés and his army to prominence. Not only did they successfully defend the state entrusted to them, but they also seized large portions of enemy territory after defeating opposing forces in pitched battles and capturing their strongholds.

Confronted by France's long-standing hostility toward the House of Austria, the ambitions of Savoy, the enmity of Venice, the duplicitous intervention of the Pope and his nuncios, the wavering attitude of Genoa, and the betrayal of Parma, Leganés proved capable of meeting every challenge. He carried the war into the heart of enemy lands and, for four years, tied down substantial enemy forces that would have been of decisive importance had they been deployed in Flanders.

The Marquis's innovative strategy, combined with the excellent performance of the Army of Milan under his command, achieved remarkable victories against some of France's finest generals. Yet the jealousy of his rivals at court, the blatant double-dealing of the Princes of Savoy, and above all the inability of the Royal Treasury to sustain a prolonged war effort ultimately diminished the impact of this extraordinary of successes.

Turin was not the grave of the Marquis of Leganés's career. Despite the downfall of his patron, the Count-Duke of Olivares, he continued to render distinguished service to the Spanish Crown, earning a well-deserved place among the finest generals of the House of Austria."

While reading the book, I almost inmediately decided to wargame that theater of operations, as I have both, TYW French and Spanish armies painted in 28mm,  I want to paint a Savoyard unit and maybe some leaders...

With Meshy, I tried to replicate a 28mm miniature of Marquis de Leganés, I will print in resin when I come back home from vacation, I am really excited with this side project.

Also, thank God, we know at least 2 flags carried by some of the best Spanish units of that time; Tercio Viejo de la Mar de Nápoles, and Tercio de Lombardía, both present in most of the battles of that period in Northern Italy, like :   The relief of Valenza del Po, battle of Tornavento 1636,  the sieges of Vercelli, Breme, Torino... etc etc etc.

here are the flags I have made with Chatgpt + primary sources

                                            Flag of Tercio de Lombardía

                                            Flag of Tercio de la Mar de Nápoles

I hope you like this little summer update

Cheers

Battle of Seneffe 1674 Command base: Death of Marqués de Asentar

Hi guys

This time I bring you a special topic, my first miniature sculpted by the AI, using Meshy.ai , I tried to replicate a wonderful illustration of a Desperta Ferro magazine about the last tercios, from 1660 to the reform of 1704.

The aim was to make a command base for my Spanish army of Flanders in the bloody battle of Seneffe in 1674.

 the original illustration is fantastic, I really wanted to have a similar last stand command base in my collection, and as nobody produces a similar miniature, and I have no sculpting skills, I resorted to a new (for me) method, Meshy, although it is not free, I think it worth the price.

This part is translation by me  from Spanish Magazine Desperta Ferro:

At the death of Pedro de Acuña y Meneses, Marquis of Assentar, in the Battle of Seneffe, the Spanish soldiers present there, following the example of the fallen commander, fought so fiercely against the French that they became known as the “Sacrificed of Seneffe.”

Assentar began his military career under Philip IV in 1640 and had to flee to Castile. He commanded the regiments of Spain (1655–1659) and Lombardy (1659–1662). He took part in the victory of Valenciennes (1656), the campaign of Mardyck (1657), and the sieges of Novara (1662–1665) and Ceuta (1665–1672). With the outbreak of the Franco-Dutch War, he was appointed Maestre de Campo of the Army of Flanders. As commander of the Army of the Low Countries and second in commando of the Count of Monterrey, governor of the Spanish Netherlands.

 An  Imperial contingent joined the combined Dutch-Spanish army in the summer of 1674, adding strength to the troops of William III of Orange.

At first, the French army under the Prince of Condé launched a surprise attack against the troops of William III, while the Allies marched between Nivelles and Mons in an attempt to outflank the French position at Trivières. The battle soon became bloody and fierce: 62,000 Allied soldiers clashed against 44,200 French troops.

The allied army marched through a vast wooded area full of ravines, which caused the Marquis to show a fatalistic mood, he said to an officer, "If we succeed today it would be a miracle, but I do not blame myself, because I am doing my job and those in command of the combined army do not listen my advice...  for I know my end is near, and no one shall deprive me of the glory of what is to come..."

Suddenly, the thunder of the cannon and the musketry announced the battle, A Dutch officer came in hurry announcing that all the rearguard of the army was collpasing and some fleeing. The Marquis had advanced too far and was now being pursued by the French. "We saw all of Valdemont’s cavalry came rushing back in flight, and the confusion with which they returned threw most of our rearguard into panic."

 The chronicler Félix de Lucio Espinosa y Malo relates what happened next:

“Seeing this disaster, the Marquis of Assentar ordered five or six large infantry battalions and one squadron of cavalry to halt. Drawing his sword, he encouraged the men, who had been pushed back so rapidly, although they had gained some time, their line started to collapse under French pressure. Even though the Marquis of Assentar was grievously wounded, 7 times,  he fought with such boldness and extraordinary courage that he finally gave his life, despite receiving assistance for the many wounds he had suffered.”

The French, after driving the Spaniards from the village of Saint-Nicolas and finding the Marquis’s body in their possession after the battle, returned it to the Spanish camp. The fighting finished in a bloody draw, where both sides claimed "victory", it had caused some fourteen thousand casualties between the two armies, and contemporary accounts describe the battle as one of the bloodiest slaughters ever seen in Europe for many years.

 The base diorama itseld was 3d printed in resin, and the miniature is not perfect, there aresome mistakes in an officer hand, shoes, the horse head is missing... but with some touches here and there, I fixed most of them and painted it in the usual way of Vallejo and Foundry triads.

I hope you like it!

Cheers

More Civilians, Militias and Miquelets or XVII c. guerrilla mountain skirmishers. Part II

Hello guys,

following the first part: 

https://spanishleadpainting.blogspot.com/2025/12/coming-back-to-siege-of-gerona-1684.html

I have painted six new miniatures for this 17th century civilians and militia reinforcements for my 30 Years War project but also my late XVII c. projects like 1672, and siege of Gerona 1684.

For this, I used three miniatures from Bloody Miniatures, which I absolutely love. These are the first ones I’ve painted from a couple of dozen I own, and I’m very happy with the result. The idea is to use them as armed civilians or musketeers for the Thirty Years War.

I also converted an artilleryman from North Star 1672 to represent a night watchman, adding a plastic lantern or oil lamp.

Another miniature is a second friar (I painted another in December) from Perry Miniatures, originally from their Carlist Wars range and armed with a blunderbuss. However, it works perfectly well as a 17th-century friar.

Finally, this is a miguelete/miquelet, wearing the typical Catalan cap, the barretina. On his feet he wears alpargatas, traditional Spanish peasant footwear that has been used for centuries. The miniature was originally a guerrilla fighter from Perry Miniatures’ Napoleonic range, but I removed the anachronistic elements and replaced the sabre-armed hand with a metal, Northstar 1672 17th century musket. I also added a plastic Thirty Years War powder flask from a Warlord Games set.

For painting I used Foundry paints triads (Dark African flesh, Buff, Rawhide, Spearshaft, Forest Green) and Vallejo Model Color.  For  matt varnish I use Ultra matt from Greenstuff world which I recommend.

I also painted a small trench made of resin

I will add more of these, because I want a full second Miquelet unit using these Perry Guerrillas converted, as well as Bloody Miniatures.

Again all the unit so far.

1/1200 Mad for War: 30 Years War's Galleons and fort.

 Hi guys, 

Happy New Year!

Today I’d like to share two small additions to my Spanish fleet in 1/1200 scale, both built and painted for naval wargaming in the Mediterranean during the Thirty Years’ War and Franco Spanish War. The models come from Ark Royal Miniatures, produced under the Warfare Miniatures range, a line nowadays well known among small-scale naval warfare lovers.

The models are a 38 gun frigate/galleon,  an  old merchantman and a 3d printed naval fort. The ships although modest in size, play an important role on the table top.

I also bought scenery in 2mm from Irregular miniatures , intended both for Mad for War naval rules and my campaign map game (see previous post).

The first model is a small merchantman, lightly armed and clearly intended more for patrol, escort, or convoy duties than for line-of-battle engagements. Unfortunately, I no longer remember the exact catalogue reference, but its compact hull and reduced artillery make it immediately recognizable as a secondary combatant rather than a major warship.

For painting, I aimed for a restrained and practical look: muted hull tones, simple decoration, and weathering that suggests long service at sea. In Mediterranean scenarios, this type of vessel works perfectly as a support ship, a scout, or an objective vessel—valuable but vulnerable if caught by heavier enemy units.

The second model is the 38-Gun Frigate, a much more aggressive and versatile design. Fast, well-armed, and capable of independent action, this type of frigate represents, along the galleon/Man o'war, the backbone of many Spanish naval operations during the conflict.

I painted her to stand out slightly more than the galleon, with sharper contrasts and cleaner lines, with paper flags attached.

Both ship's flags are metal painted and paper printed,  the paper flags are slightly oversized, but I don't care about that, because the are easier to identify from distance in games.

Both ships are intended primarily for Mediterranean naval battles, where shorter engagement ranges, coastal actions, and sudden encounters dominate play. In the context of the Thirty Years’ War, they fit naturally into scenarios involving Spanish–French naval rivalry, convoy interceptions, and regional control, but also massive fleet actions.

I started painting this range back in 2023, and I am very happy with it, at 1/1200 scale, these models strike an excellent balance between detail and playability, allowing entire squadrons to be deployed without overwhelming the table.

Now my entire fleet so far:

4 galleys, 2 small galleons/frigates,  a yacht and an armed merchantman, all of them Ark Royal Miniatures , and a 3d printed galleon by Turner miniatures.

Cheers

Coming back to the siege of Gerona 1684: Paisanos or citizens

Miniatures for a XVIIc. besieged city

Hi guys, 

When we recreate the defenders of Girona (or whatever besieged city in this period) on the tabletop, we are not representing a formal army so much as an entire community under arms. The men who held the city’s walls in the 17th century were merchants and craftsmen, hunters and farmers, friars and servants; citizens united by the simple fact that the enemy was at their doorstep. This makes a siege a wonderfully rich setting for miniatures and full of character.

Of course, the following categories are common to most territories of Europe in general, and the Hispanic Monarchy in particular during most of XVII c.

These are the categories I have found.

1) Urban Militias: Girona’s Armed Citizens

The urban militia was composed of the city’s own neighbours: artisans, guild officers, shopkeepers, notaries, apprentices, and even a few minor nobles who commanded small companies. They were civilians, not professional soldiers, serving under Governor Francisco de Taberner with one motivation above all—the defence of their city and their families.

Their equipment reflected this civilian nature. Many carried old matchlock muskets or shotguns; others relied on short pikes, halberds, or arquebuses. Uniforms were rare. Most defenders wore their work clothes or a simple doublet, sometimes with a red cross sewn on the chest to mark their allegiance. Despite their lack of formality, they played a crucial tactical role. They garrisoned the walls, towers, and gates; manned guard posts day and night; supported the artillery by carrying powder, sand, and shot; repaired damaged parapets after bombardments; and rushed to extinguish fires in the aftermath of French shells.

Jurats, civilian authorities in Valencia, mid XVII c. very similar to those present at Gerona

Urban militia in Antwerp, 1670'

                                                            Same Urban militia in Antwerp.

Contemporary testimonies show the determination of these defenders. One chronicler wrote:

“The city, though small in neighbours and with walls not very strong, found itself encouraged by the courage of its inhabitants.”

Another account describes their resilience under bombardment:

“Some neighbours died, and several roofs and warehouses burned; but the spirit of all was so constant that no one showed fear or discouragement.”

2) Rural Militias, Migueletes and Somatén

Beyond the city walls operated a very different kind of force. The rural militias—migueletes and somatenes—were made up of mountain folk from the Ampurdán, Sant Daniel, Amer, Hostalric and the surrounding valleys. These were former soldiers, hunters and labourers, accustomed to the rugged landscape and skilled with firearms. They were officially recognised as auxiliaries by the viceroy but operated with considerable independence under local chiefs and minor lords.

Girona could mobilise several hundred men in the countryside, while within the city itself up to 600 or 800 men could be deemed fit for arms, with around 300 more available in emergencies. The municipality carried out censuses prior to expected attacks—in 1637, 1667, 1675, and 1684—to determine who could serve. Even the cathedral chapter, the bishop, and the religious orders contributed armed companies during the worst sieges.

The migueletes and somatenes excelled in irregular warfare. They ambushed French convoys, destroyed baggage trains, cut communications, and fired from natural cover before vanishing into the hills. A contemporary account states:

“The migueletes and somatenes of the mountains caused constant losses to the French detachments, taking baggage and prisoners every day.”

Their clothing was equally distinctive and ideal for miniature painters: brown or grey woollen coats, linen shirts, red sashes, barretinas, and sturdy shoes or espadrilles. They often carried long flintlock escopetas, knives, and small leather pouches. Another source gives a vivid image of their appearance:

“The migueletes from Amer and Hostalric arrived wearing brown or grey clothing, low hats, red sashes, and a leather cartridge-box over the shoulder; armed with musket or blunderbuss. Some wore short checkered mountain capes.” I painted several Migueletes a few years ago, featured in this post: 

https://spanishleadpainting.blogspot.com/search/label/Miquelets?updated-max=2021-01-09T12:18:00%2B01:00&max-results=20&start=2&by-date=false

Some of them were led by D. Josep de Trinchería, and later during the 9 Years War, by his son, D.Blas de Trinchería.

A detailed description of D. Josep de Trinchería has survived until today:

"He wears his hair long, following the custom of the time, and a waxed mustache curled upward in keeping with the family portrait. A mid-thigh coat (the habit), with open sleeves revealing the shirt beneath, trimmed along the edges and seams. It is buttoned at the front. Around his waist he carries a belt serving the dual purpose of ornament and support for his weapons. Draped over his left shoulder is a cape which, in the fashion of the era, wraps around his right hand, with which he holds the French-style hat (chapeau). He wears tight-fitting breeches of the same cloth, fastened with ribbons, and tall boots with gaiters. The boots include the gaiter that holds the spur used when riding on horseback.

He is armed with a cup-hilt sword hanging from a leather strap, a flintlock of three palmos and another shorter one, along with its corresponding pouch for stones and bullets, as well as a flask with a measure for carrying gunpowder."

                                                                D.Josep de Trinchería 

"Angelets de la terra" /Migueletes guerrilla fighters

3) Clergy and Non-Combatants

The city’s defence was not limited to armed men. Secular priests and members of the mendicant orders—Dominicans, Franciscans, Capuchins—were present on the walls, tending the wounded and encouraging the defenders. Women, servants, children and the elderly played essential roles as well, carrying water, soil and stones for the artillery and helping repair damage after bombardments. Public prayers and religious processions were organised to keep morale high.

A contemporary testimony describes their presence vividly:

“The friars of the mendicant orders assisted on the walls, encouraging the people with the word of God and aiding the wounded.”

4) Civic Officers and Command Figures

At the top of Girona’s civic defence stood the "Jurat en Cap" and the colonel of the militia. They added a rare note of splendour amid the city’s improvised forces. One account describes them as wearing crimson coats trimmed with gold during public ceremonies, and donning light cuirasses or breastplates over their doublets in battle. Their swords, it says, had gilt hilts with shell-shaped guards:

“The chief jurat and the colonel of the militia of Girona wore crimson coats with golden braid in public acts, and in combat covered themselves with a light cuirass or breastplate over the doublet. Their sword had a gilded hilt with a shell-shaped guard.”

Painting Girona’s defenders offers an extraordinary palette of textures and personalities—ragged walls, improvised weapons, bright red sashes, guild banners, mountain cloaks, friars with bandages, servants rushing powder barrels. 

In future posts I will prepare siege workers and engineers for 30 Years War and also late XVII c.

                               "Perry Miniatures" Priest and "Anno Domini 1666" Night Watch.

The miniatures I am using for these chaps are: 

-Priests : Perry miniatures 28mm Napoleonic/Carlists wars Spanish priest, I bought several of these, but I will only use those whose attire fit in XVII c. in classic friar appearance. 

-Miquelets or Miguelets, I have already several of these, but I want another company of these skirmishers, I really like Front Rank Monmouth rebels with some conversions, I will also use the new Perry Napoleonic guerrilla fighter sprue in plastic, for pieces and headgear like the Catalan cap, the barretina, mixed with Front Rank or  Northstar 1672 bodies.

-For civilians and urban militias I am using several miniatures from Anno Domini 1666 miniatures, a Polish company of great quality, also Bloody Miniatures 28mm ECW and TYW figures are stunning, and some of them are suitable for later periods, specially civilians.

I hope you like it!

Cheers

3D printed 1/200 Spanish galley XVII c.

 Hello guys,

Here I am again with more galleys. This time a 3D printed galley from Henry Turner miniatures 1/600 galley, scaled down to 1/1200.  

I printed also some smaller fustas or galiots, just scaling it down even more the original file with Anycubic Workshop app for the future.

The model comes with its base, and lucky me, it was exactly the same size of my other galley's bases in metal, by Ark Royal miniatures.  The base was too thin to leave it as it comes, so I glued it to a piece of plastic of a similar thickness of my other metal bases.

I substituted the 3d printed resin mast with a metal wire, and attached the sail. I still prefer the metal models than the 3d printed models, but this are quite nice , detailed and cheap, although more modelling skills are required, the material is a little bit brittle and the process is messy and smelly.

I painted the model with the same paints and style (basecoat, wash, a couple of highlights) as the other metal galleys from Ark Royal miniatures. The flags are again from Minairons, excellen quality and historically accurate.

The rigging is simplest possible, made with broom bristles following this tutorial

http://leagueofaugsburg.blogspot.com/2021/07/much-requested-video-on-rigging-ships.html

·3D Printed galley next to metal galley from Ark Royal miniatures

I hope you like them!

Cheers